I read dozens of books about comic book history while researching my own book, and it turned me a near-obsessive on the topic. As weird as it sounds, I don’t really read comic books anymore, but I still read books about the industry.
I’ve never read an autobiography structured like this, and I had so much fun tearing through it. Instead of presenting his life chronologically, Gibbons decides to tell a bunch of anecdotes on topics organized alphabetically.
I loved this idea, which was basically the equivalent of “all meat, no filler.” I found the stories pretty compelling, too—and honest.
This comprehensive, in-depth, and personal journey through the eyes of one of the world’s most famous comics creators, Dave Gibbons, spans his earliest years copying Superman and Batman comics as a kid, to co-creating the bestselling graphic novel of all-time, Watchmen, and beyond.
Presented alphabetically, with informally written anecdotes that can be read from cover-to-cover or simply dipped into, Gibbons reveals unseen comics’ pitches, life as the first Comics Laureate, and going from being a fanzine artist to infiltrating DC Comics in the 1970s. The book covers everything from working on Doctor Who and meeting Tom Baker to being inducted…
Uslan is the reason we have Batman movies, and he’s led a fascinating life.
I was especially interested in his time working for DC Comics in the 1970s—a transition time for the publisher when young, enthusiastic talent was allowed in after years of being mostly a closed shop.
Meet the man whose life-long quest to reclaim the true, cool soul of Batman wonderfully transformed today's comic book movies. Growing up outside of Asbury Park, New Jersey, Michael Uslan was obsessed with comic books. He'd be the first to grab the latest issues off the shelves of the three local comic book stores, including four copies of the now legendary Fantastic Four #1. His favorite superhero was the brooding, crime-fighting vigilante, Batman. Despising the campy 1960s TV show, Uslan became determined to bring the real Batman-dark, serious, burdened by a tragic past-to the silver screen. Undeterred by Hollywood's initial…
Simon was an artist, yes, but he was also a longtime writer and editor, and I was really impressed by his ability with words.
This autobiography has a charming, no-nonsense voice that I found made for a breezy, fun read. Plus, the book is packed to the brim with amazing anecdotes from comics history. Simon’s heyday was long before I was even born, but reading his story gave me a newfound appreciation for him and led me to seek out his work.
"Gripping from the first page... If you love comic books, history, or just love a story of a real self-made man, you must read this book." - Shadowlocked
"A true visionary, Simon's book is laced with never-before-seen photos and illustrations, and told in his own words. If you're at all curious about the history of comics and one of its earliest visionaries, My Life in Comics is a must-read." - IGN
"... a lovely memoir, often funny, sometimes thought-provoking, and never ostentatious. It's a true pleasure to read." - Graphic Novel Reporter
Researching the early days of the comic book industry is hard. Extraordinarily, gut-punching hard. The records are scant, and everyone involved is long dead. This is why I was so blown away by this exhaustively complete record of the founding fathers of comicdom and their (often shady) exploits.
I found myself silently muttering, “How’d he find that??” on nearly every page.
Kupperberg was a writer and editor at DC Comics for decades, but it’s the chronicle of his early years as one of the hobby’s first BNF—big-name fans—that grabbed me here.
This autobiography paints a vivid picture of what it was like to be a comics obsessive in the days before the internet, giant conventions and mainstream acceptance, and everything that came with it, including the social isolation and the exhilarating hunt for back issues. It’s not a perspective I’ve found in many other books.
A 1982 DC Comics house ad for the first issue of Arion, Lord of Atlantis proclaimed, “Written by Paul Kupperberg! One of DC’s Most Versatile Writers!”. The next forty years of his career would confirm the ad’s label as the writer’s resume filled with credits that covered the spectrum of genres, mediums, and characters, from superheroes to romance, Batman to Betty and Veronica, Superman to Scooby Doo, and the Justice League to Johnny Bravo.. A one-time editor for DC Comics and the fake news tabloid Weekly World News, he is the creator of Arion, Lord of Atlantis, Checkmate, and Takion,…
My book chronicles the rivalry of the two biggest names in superheroes and their decades-long attempts to outmaneuver each other—whether stealing ideas, poaching employees, planting spies, or launching price wars.
